视频简介
Kabir Sawant must fight the battle of his life as he protects the society that has become a victim in the endgame of this crazed saga.。这是热爱电影的电影人、投资人一起大开脑洞甄选拍摄主题的疯狂之旅。烟雾花园，乌鸦呜咽，人影飘过，追随而去，现一戏曲女人遗像，关上留声机的刹那，蜡烛熄灭，遗像飞来。太恐怖，换爱情，男女约会，嬉笑怒骂，泰坦尼克都成了闹剧。要弘扬正气，于是扮起京剧，可兵荒马乱中无人看戏，众人落魄而散，悲惨结局影响影片发展只能作罢。想起侦探火热，开始编造刚恋爱的幸福女孩在密室中死亡，检测断言是熟人作案，综合指向租房给女孩的人，原由是得不到女孩就毁掉，剧情狗血被毙。又想民国抗日大戏，奈何成本太大被否。所有想法被毙后，方老板醒悟，好剧本好故事才是王道，所谓吸引眼球的东西都是浮云，而这些脑洞画面就是好故事。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。